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New recording released: Music for Oboe

November 02, 2017
by Leonora Dawson-Bowling
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Stephen Dodgson Toccata oboe works CDWe’re delighted to announce the release of a new recording of Stephen Dodgson oboe chamber works performed by James Turnbull (oboe), Libby Burgess (piano) and a number of other talented artists (see below).

This third album in the Toccata Classics survey of the chamber music of London-born Stephen Dodgson (1924–2013) shows a master-craftsman at work: Dodgson fuses a Baroque sense of clarity, a modern English elegance that has echoes of Britten and Tippett and a hint of eastern European mystery. His writing for oboe has a strong sense of narrative, touching a range of moods, from deep emotion to tongue-in-cheek fun.

James Turnbull, oboe
Libby Burgess, piano
Eleanor Turner, harp
Robyn Allegra Parton, soprano

The recording is available to buy now at Toccata Classics (https://toccataclassics.com/product/stephen-dodgson-chamber-music-three/), Amazon and all good record shops.


Update: Reviews since the release

British Music Society
Double Reed News
UK Harp Magazine
MusicWeb International
Klassisk Musikk
British Music Society (2)

 

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‘Dormi Jesu’ – Pegasus (Prague t... @ Prague
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'Dormi Jesu' – Pegasus (Prague tour) @ Prague
Chamber choir Pegasus perform a concert of English choral works on their tour to Prague including Stephen Dodgson’s beautiful miniature ‘Dormi Jesu’ – in the homeland of one of the composers he felt most influenced his work and style: Leoš Janáček. Dodgson’s simple soprano-alto-tenor miniature mixes medieval harmonies with a hint of modernism to produce an exquisite vision of the Virgin Mary nurturing the young Christ child.
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Polish-British harpsichordist Katarzyna Kowalik presents a recital tracing musical roots across borders, politics and time. George Frederic Handel, who  lived for a period in Barnes, is represented by two dazzling harpsichord suites, including the famous Harmonious Blacksmith variations. His contemporary Domenico Scarlatti, whose career spanned Italy, Portugal and Spain, is heard in a vivid selection of sonatas and fiery Fandango. Although their paths first crossed in Italy, both composers later became entangled in the political  and cultural currents of 18th-century London, where Scarlatti’s sonatas even appeared in a striking  Jacobite edition. Their music reflects not only virtuosity and invention but also the shifting  allegiances of their[...]
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‘Last of the Leaves’ – gala conc... @ Barnes Music Festival
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