The album’s title is owed to Stephen Dodgson, eight delightful vignettes, beautifully crafted, which fall on grateful ears. Throughout, Emma Abbate and Julian Perkins play as one, with dedication and shared pleasure.
Captured in beguilingly immediate sound that creates the impression of Emma Abbate and Julian Perkins playing in your living room, this is a recording I have already returned to several times simply for the pleasure of hearing two players at the top of their game.
We're delighted to announce that guitarist Sungbin Cho has won second prize at the Royal Academy of Music's concerto competition with Stephen Dodgson's Guitar Concerto No. 1. Cho also won the International Guitar Competition in October with a programme which featured Dodgson's Partita No. 1.
Announcing the release of 'Tournament for Twenty Fingers', a collection of piano duets performed by Julian Perkins and Emma Abbate, featuring the Dodgson suite by the same name and his Sonata for piano duet alongside works by Berkeley, Arnell and Lambert.
Reflections from the performers of Dodgson's Cadilly. 'The overriding thing is his sense of humour, even in the most profoundly beautiful moments.' 'Whatever the mood or character, whatever the scene is, there is such a clear picture painted through the textures and the colours in instruments and the vocalists.' 'It's very colourful music – expect the unexpected!'
Fletcher’s expertly crafted distillation of Cobbold’s novel is set by Dodgson to music that’s as telling as it is unobtrusive ... Dodgson’s compositions went wider and deeper than any of us imagined ... Like Britten, he had the gift of needing very few instrument – Margaret Catchpole is scored for just 11 players – to paint pictures and distil moods.
There is a wonderful limpidity to Dodgson’s vocal lines, the words … always clearly audible and never obscured by the accompanying ensemble... The fanciful ending... is wonderfully poetic in Dodgson’s sunlit setting.
The 2025 Barnes Music Festival opens with a captivating concert led by the world-renowned Academy of St Martin in the Fields. The ensemble is joined by acclaimed international tenor Ed Lyon and star horn player and artist in residence, Ben Goldscheider. The evening begins with Stephen Dodgson’s evocative Essay No. 7, followed by Britten’s Serenade for Tenor, Horn, and Strings. Mozart’s sparkling Horn Concerto No. 4 in E-flat major features beautiful interplay between soloist and orchestra. The concert concludes with Holst’s beloved St Paul’s Suite, a work filled with energy and rich folk-inspired melodies, capturing the spirit of community at[...]