Announcing the release of 'Colloquy', a disc of guitar compositions and arrangements from the Renaissance up to the present day featuring Stephen Dodgson's Promenade I.
An interview with conductor Julian Perkins about his friendship with Stephen Dodgson, the imaginative depictions of contrasting characters and landscapes in Margaret Catchpole, the composers whose influences can be felt in its soundworld, and plans for more recordings of Dodgson's music...
Stephen Dodgson left a notable body of work that is edging towards the recognition it deserves. Dodgson’s use of timbre, particularly woodwind (such as the gorgeous clarinet solos in Acts III and IV), recalls Britten's Sea Interludes, and his landscapes (the mists over the River Orwell; sunny Sydney) have an evocative, representational quality. William Wallace beguiles as bad boy Will Laud and Alistair Ollerenshaw is strong as the reliable, eventual ‘public benefactor’ John Barry
James Gilchrist talks to Radio 3's Sean Rafferty on In Tune about performing and recording Stephen Dodgson's solo songs, choosing between a medical and musical career, and music in the context of the pandemic.
In a concert devoted to the songs of Stephen Dodgson “Bow-wow” was the last word. Bow they did, and rightly so, and “wow!” is my response. Stephen Dodgson’s music was completely new to me, and I want to know more about this unique and evocative music.
Stephen Dodgson's Suffolk opera is finally on disc in a performance which does the work full justice ... This is a piece full of delightful textures. He is also careful about text, so much of the opera is in arioso-like recitative, ensuring we can follow yet the textures Dodgson creates mean that we enjoy the result ... Throughout, Dodgson links his scenes with atmospheric orchestral interludes which greatly add to the interest of the opera, and Perkins gets fine performances of these from the members of Perpetuo.
Acclaimed trumpeter Imogen Whitehead, with St Martin’s Chamber Ensemble and conductor Patrick Milne, performs Stephen Dodgson’s Trumpet Concerto – his very last work, written for Imogen Whitehead herself when she was 18 – alongside Haydn’s Trumpet Concerto and Mozart’s Divertimento in D. All in the stunning and atmospheric setting of St-Martin-in-the Fields. Tickets available at: https://www.stmartin-in-the-fields.org/calendar/mozart-and-haydn-by-candlelight/?whatson-event-date=2024-11-23&whatson-event-time=7:00%20PM
The much admired wind group the Magnard Ensemble return to Luton with a programme particularly featuring Stephen Dodgson’s Promenade No.2. Richard Sisson (Chair of Luton Music): ‘Stephen was for many years associated with Luton Music, generously giving his time to serve as a Vice-president. 2024 is the centenary of his birth and it is an honour to programme this fine piece in his memory.’ Programme Sergei Rachmaninov (arr. McDermid) – Prelude in E flat Major Op 23 No.6 Martin Butler – Down-Hollow Winds Stephen Dodgson – Promenade No.2 Wolfgang Amadeus Mozart (arr. Shiner) – Rondo in A minor K511 Samuel Barber – Summer[...]