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Dodgson’s Promenade is mostly contrapuntal and energetic but with some delightful, lyrical moments making it varied and captivating throughout.

Announcing the release of 'Colloquy', a disc of guitar compositions and arrangements from the Renaissance up to the present day featuring Stephen Dodgson's Promenade I.

An interview with conductor Julian Perkins about his friendship with Stephen Dodgson, the imaginative depictions of contrasting characters and landscapes in Margaret Catchpole, the composers whose influences can be felt in its soundworld, and plans for more recordings of Dodgson's music...

Stephen Dodgson left a notable body of work that is edging towards the recognition it deserves. Dodgson’s use of timbre, particularly woodwind (such as the gorgeous clarinet solos in Acts III and IV), recalls Britten's Sea Interludes, and his landscapes (the mists over the River Orwell; sunny Sydney) have an evocative, representational quality. William Wallace beguiles as bad boy Will Laud and Alistair Ollerenshaw is strong as the reliable, eventual ‘public benefactor’ John Barry

James Gilchrist talks to Radio 3's Sean Rafferty on In Tune about performing and recording Stephen Dodgson's solo songs, choosing between a medical and musical career, and music in the context of the pandemic.

Rewatch the live concert of Stephen Dodgson solo songs, a selection of those being recorded this year by a star cast of musicians.

In a concert devoted to the songs of Stephen Dodgson “Bow-wow” was the last word. Bow they did, and rightly so, and “wow!” is my response. Stephen Dodgson’s music was completely new to me, and I want to know more about this unique and evocative music.

Stephen Dodgson's Suffolk opera is finally on disc in a performance which does the work full justice ... This is a piece full of delightful textures. He is also careful about text, so much of the opera is in arioso-like recitative, ensuring we can follow yet the textures Dodgson creates mean that we enjoy the result ... Throughout, Dodgson links his scenes with atmospheric orchestral interludes which greatly add to the interest of the opera, and Perkins gets fine performances of these from the members of Perpetuo.

The opera has a powerful presence and flawless skilfulness ... and the whole cast of 15 is impressive.