These two discs comprise over two and a half hours of Stephen Dodgson’s strongly crafted music, beautifully played... Both discs are an absolute joy, the performances little short of ideal, perfect in intonation and ensemble, lively and delicate as required.
On a personal note, I absolutely love Stephen's Dormi Jesu, and it works so well in this programme – it's a wonderful moment when, at the end of the unconducted trio which has them absolutely mesmerised, you can hear the audience's audible exhalation and you realise they've been holding their breath in wonder!
This disc is a valuable addition to the composer’s growing discography and one that should be snapped up by all devotees of Dodgson’s and twentieth century English music alike.
Those who gravitate to the serious chamber intimacies of the Modern-Tonal yet expect there to be a consistently intricate edge and would like another twist to a kind of Neo-Classical outlook, seek no further.
Dodgson's later work is long-breathed and convincingly explores material, ending in a poignant and moving epilogue. The earlier work is strikingly avuncular and athletic, with an expressive near-ten-minute hymnal slow movement that includes repeated syncopations. This, and the nonchalant, almost whimsical end of the work makes it a most listenable piece. Dodgson’s control of structural integrity in the Partita for solo cello is powerful and impressive.
The vocal parts are on the atonal scale but accomplished brilliantly by Robyn Allegra Parton. The oboe and piano accompaniments, more atmospheric than atonal in their impact, add a marvellous patina of colour to the pictures painted by the words. The effect in voice and instruments is magical. The Sonata for Oboe and Piano brings invigorating freshness. With fine performances by James Turnbull and Libby Burgess.
Bulgarian guitarist Georgi Dimitrov performs Stephen Dodgson’s Fantasy-Divisions for solo guitar in a lunchtime concert at London’s number 1 chamber music venue, Wigmore Hall. The New Elizabethan Award and Blyth Watson Prize award-winner also performs works by Dowland, Bennett, Berkeley and many others with members of the Londinium Consort. John Dowland – 2 Fancies Richard Rodney Bennett – 5 Impromptus Lennox Berkeley – Theme and Variations Op. 77 Otto Hashmi – Introduction John Dowland – Can she excuse my wrongs (arranged by Ben Finlay); O sweet woods; The King of Denmark’s Galliard — Daniel Bacheler – Mounsiers Almaine Stephen Dodgson – Fantasy-Divisions John Dowland – Forlorn Hope[...]