These two discs comprise over two and a half hours of Stephen Dodgson’s strongly crafted music, beautifully played... Both discs are an absolute joy, the performances little short of ideal, perfect in intonation and ensemble, lively and delicate as required.
On a personal note, I absolutely love Stephen's Dormi Jesu, and it works so well in this programme – it's a wonderful moment when, at the end of the unconducted trio which has them absolutely mesmerised, you can hear the audience's audible exhalation and you realise they've been holding their breath in wonder!
This disc is a valuable addition to the composer’s growing discography and one that should be snapped up by all devotees of Dodgson’s and twentieth century English music alike.
Those who gravitate to the serious chamber intimacies of the Modern-Tonal yet expect there to be a consistently intricate edge and would like another twist to a kind of Neo-Classical outlook, seek no further.
Dodgson's later work is long-breathed and convincingly explores material, ending in a poignant and moving epilogue. The earlier work is strikingly avuncular and athletic, with an expressive near-ten-minute hymnal slow movement that includes repeated syncopations. This, and the nonchalant, almost whimsical end of the work makes it a most listenable piece. Dodgson’s control of structural integrity in the Partita for solo cello is powerful and impressive.
The vocal parts are on the atonal scale but accomplished brilliantly by Robyn Allegra Parton. The oboe and piano accompaniments, more atmospheric than atonal in their impact, add a marvellous patina of colour to the pictures painted by the words. The effect in voice and instruments is magical. The Sonata for Oboe and Piano brings invigorating freshness. With fine performances by James Turnbull and Libby Burgess.
The Outcry Ensemble and English Voices perform Stephen Dodgson’s full-scale upper-voice Hymn Harmony at St John’s Smith Square alongside other works by Gibbons, Vaughan Williams and Coleridge-Taylor. The evening constitutes the final concert of their ‘Music for a Great City’ series, which explores the essence of a city as portrayed through its music, its history, its people and their perpetual sense of spirit through a rich variety of pieces. Directed by James Henshaw and comprised of young, exceptionally skilled professionals poised to become the next generation of global orchestral leaders, The Outcry Ensemble brings together vibrant energy and captivating performances. Their repertoire programming[...]
Acclaimed trumpeter Imogen Whitehead, with St Martin’s Chamber Ensemble and conductor Patrick Milne, performs Stephen Dodgson’s Trumpet Concerto – his very last work, written for Imogen Whitehead herself when she was 18 – alongside Haydn’s Trumpet Concerto and Mozart’s Divertimento in D. All in the stunning and atmospheric setting of St-Martin-in-the Fields. Tickets available at: https://www.stmartin-in-the-fields.org/calendar/mozart-and-haydn-by-candlelight/?whatson-event-date=2024-11-23&whatson-event-time=7:00%20PM
The much admired wind group the Magnard Ensemble return to Luton with a programme particularly featuring Stephen Dodgson’s Promenade No.2. Richard Sisson (Chair of Luton Music): ‘Stephen was for many years associated with Luton Music, generously giving his time to serve as a Vice-president. 2024 is the centenary of his birth and it is an honour to programme this fine piece in his memory.’ Programme Sergei Rachmaninov (arr. McDermid) – Prelude in E flat Major Op 23 No.6 Martin Butler – Down-Hollow Winds Stephen Dodgson – Promenade No.2 Wolfgang Amadeus Mozart (arr. Shiner) – Rondo in A minor K511 Samuel Barber – Summer[...]