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News

Cadilly musings – performance and recording

July 01, 2021
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Reflections from the performers of Dodgson's Cadilly. 'The overriding thing is his sense of humour, even in the most profoundly beautiful moments.' 'Whatever the mood or character, whatever the scene is, there is such a clear picture painted through the textures and the colours in instruments and the vocalists.' 'It's very colourful music – expect the unexpected!'
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Margaret Catchpole – The Oldie review

June 08, 2021
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Fletcher’s expertly crafted distillation of Cobbold’s novel is set by Dodgson to music that’s as telling as it is unobtrusive ... Dodgson’s compositions went wider and deeper than any of us imagined ... Like Britten, he had the gift of needing very few instrument – Margaret Catchpole is scored for just 11 players – to paint pictures and distil moods.
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Margaret Catchpole – Gramophone review

April 25, 2021
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There is a wonderful limpidity to Dodgson’s vocal lines, the words … always clearly audible and never obscured by the accompanying ensemble... The fanciful ending... is wonderfully poetic in Dodgson’s sunlit setting.
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Duo Guitartes ‘Colloquy’ and Promenade review – British Music Society

April 06, 2021
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Dodgson’s Promenade is mostly contrapuntal and energetic but with some delightful, lyrical moments making it varied and captivating throughout.
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New release: Duo Guitartes ‘Colloquy’ and Promenade I

March 29, 2021
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Announcing the release of 'Colloquy', a disc of guitar compositions and arrangements from the Renaissance up to the present day featuring Stephen Dodgson's Promenade I.
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Presto interview – Julian Perkins on Stephen Dodgson and Margaret Catchpole

March 15, 2021
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An interview with conductor Julian Perkins about his friendship with Stephen Dodgson, the imaginative depictions of contrasting characters and landscapes in Margaret Catchpole, the composers whose influences can be felt in its soundworld, and plans for more recordings of Dodgson's music...
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Margaret Catchpole – BBC Music Magazine review – 5*

February 19, 2021
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Stephen Dodgson left a notable body of work that is edging towards the recognition it deserves. Dodgson’s use of timbre, particularly woodwind (such as the gorgeous clarinet solos in Acts III and IV), recalls Britten's Sea Interludes, and his landscapes (the mists over the River Orwell; sunny Sydney) have an evocative, representational quality. William Wallace beguiles as bad boy Will Laud and Alistair Ollerenshaw is strong as the reliable, eventual ‘public benefactor’ John Barry
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James Gilchrist reflections on Dodgson songs – Radio 3 In Tune

February 15, 2021
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James Gilchrist talks to Radio 3's Sean Rafferty on In Tune about performing and recording Stephen Dodgson's solo songs, choosing between a medical and musical career, and music in the context of the pandemic.
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Dodgson ‘Songs for the Everyman’ – concert video

February 15, 2021
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Rewatch the live concert of Stephen Dodgson solo songs, a selection of those being recorded this year by a star cast of musicians.
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