Student violinist Kangmin Kim reflects on contrasting works by Holst and Dodgson, performed at the opening concert of the Barnes Music Festival. Two composers from Barnes, yet two strikingly contrasting approaches to writing for strings. On the opening night of the Barnes Music Festival 2025 (15th March), the theme of music and literature was explored through a programme made up of music by Dodgson, Britten, Mozart and Holst. Performed by the Academy of St Martin’s in the Fields, the concert opened with a contemporary and abstract showcase of Stephen Dodgson’s Essay No. 7, contrasted with the final work – an […]
In the opening-night Barnes Music Festival concert, ASMF brought wonderful rich, crisp textures to their performance. And players and audience responded warmly and thoughtfully to Stephen Dodgson's atmospheric Essay No. 7, gently full of different full of different personalities: major-minor cross-modalities, rhythmic interest and constantly shifting cross-rhythms, interwoven with more nebulous parts that are almost ‘kaleidoscopically coming into and out of focus'.
To discuss music with Stephen Dodgson was to follow an incomparably rich trail of knowledge and ideas. And many memories of him have been rekindled by reading this excellent book. It is beautifully produced and reasonably priced. It is a worthy celebration of its subject, a fine composer and erudite musician who was also a thoroughly nice man.
Sonoro choir, conducted by Neil Ferris, celebrates the memory of Stephen Dodgson (1924–2013) with a selection of works which, without revolutionising the genre, attest to the composer's attachment to British poetry, such as the dazzling Canticle of the Sun.
This colourful lively ensemble, with generous warmth of expression, finds the nocturnal atmosphere of the Poems of Mary Coleridge, woven together under the breath of a meandering flute.
Sonoro sings with precision and produces a vibrant and sumptuous sound. Singers from the choir are well equipped to take solo parts. Dodgson's choice of texts is keen. His compositional style seems to resist categorization. This is a very well performed and recorded album.
A first-rate volume, carefully crafted to appeal to both the average music-lover and the professional seeking more detailed information, this immediately becomes the definitive handbook on its subject. For a volume of this size and extremely modest price, there is an especially generous provision of colour plates – all excellently reproduced – together with other illustrations, photographs and music examples. This is an essential purchase and should win the composer many friends.
Star trumpeter Imogen Whitehead will be performing a movement from Stephen Dodgson’s Trumpet Concerto as part of a concert that launches ‘Connection’, her online album of works composed especially for her by a number of celebrated, renowned composers. She performs alongside pianist Jennifer Walsh in the version for piano. (The album version is the orchestral version performed with Britten Sinfonia.) The programme will include works by Sally Beamish, Roxanna Panufnik, Stephen Dodgson, Peter Maxwell Davies, Charlotte Harding, Andy Scott and Simon Hancock, as well as conversations with some of the composers. This will be an un-ticketed event. Donations will be welcome afterwards and a share of the proceeds[...]
Violinist Harriet Mackenzie and pianist Nikolai Medvedev perform Stephen Dodgson’s Five Occasional Pieces and Violin Sonata No. 1 in a concert that explores and celebrates works by English Masters. The pair are going on to record a complete album of Stephen Dodgson works this summer. Nikolai Medvedev – ”a mesmerizing combination of technical mastery and emotive depth” – Berliner Morgenpost Harriet Mackenzie “A knock-out from start to finish” – Guardian Programme: English Masters Dowland – Flow my Tears & Now Oh now Eccles – Mad Lover’s Suite, Ground (Aire V) Dodgson – Five Occasional Pieces Elgar – Chanson de Nuit Dodgson – Sonata No.[...]
On the eve of the longest day of the year, London chamber choir Vivamus present a special programme which celebrates light in all its forms, from pale morning rays to gleaming stars at night including Stephen Dodgson’s three-song cycle Canticle of the Sun. Beginning with Macmillan’s O Radiant Dawn, they explore musical manifestations of sunlight with Ešenvalds Rivers of Light, Dodgson’s Canticle of the Sun, and organ solo Lumière by Demessieux. Via Saari’s Sunset they then journey through dusk to the lights of the night sky, including piano solos Moon over Westminster by Bingham and Clair de Lune by Debussy, alongside Time, an original[...]
Violinist Harriet Mackenzie and pianist Nikolai Medvedev perform Stephen Dodgson’s Ten Variations & Violin Sonata No. 2 in a Berlin concert which sets the works aside those of other masters, Bach, Mozart and Grieg. The duo are also going on to record a complete album of Stephen Dodgson works this summer. Nikolai Medvedev – ”a mesmerizing combination of technical mastery and emotive depth” – Berliner Morgenpost Harriet Mackenzie “A knock-out from start to finish” – Guardian Programme JS Bach – Sonata in G major BWV 1021 Stephen Dodgson – Ten Variations Mozart – Sonata in E minor , no 21, K304 Stephen Dodgson – Sonata no. 2[...]
In a second German concert, violinist Harriet Mackenzie and pianist Nikolai Medvedev perform Stephen Dodgson’s Ten Variations & Violin Sonata No. 2 in Bamberg, setting the works aside those of other masters, Bach, Mozart and Grieg. The duo are also going on to record a complete album of Stephen Dodgson works this summer. Nikolai Medvedev – ”a mesmerizing combination of technical mastery and emotive depth” – Berliner Morgenpost Harriet Mackenzie “A knock-out from start to finish” – Guardian Programme JS Bach – Sonata in G major BWV 1021 Stephen Dodgson – Ten Variations Mozart – Sonata in E minor , no 21, K304 Stephen Dodgson – Sonata no. 2[...]